The Final Dialectic

fig. 1. “No doubt it played the part of transition from ape to man.”

The following first appeared as A Christmas Tales of H. B. Shamass, 1921, in print December 2017. Since then the meandering misadventures of that equivocal figure have been relaunched under the title of A Shamass New Year. As the day approaches for this years Shamassian missive, and amidst the percolating expectations I regularly have to navigate, I thought it would be wise to look again into the singular role Doctor Shamass played in one of the twentieth century’s pivotal moments. Indeed, revealed below is the gruesome truth that lies at the heart of that quixotic attempt to storm the heavens and refashion human nature once more.

* * *

Shamass!

He stood upon my doorstep. I had not seen him since that business with the underground Taborite sect in southern Bohemia—almost   fifteen years.

In southern Bohemia Svobada had saved us, dragged us unconscious from the grip of the tele-ideomat in the town of Tábor. When we had found a cell of Clockwork Men at the heart of these machinations, buried in a hidden labyrinth near Žižka Square, Svobada alone had briefly seen through their mechanised visions of barracks like happiness. Now he was lost to us—blind, mad, wailing.

On the doorstep Shamass pulled at his roll-neck sweater beneath pale sunken eyes. The rain undercut his silent face, his imploring eyes. So I helped the Doctor into my study.

Within the plush velvet carpets and thick lining of books he sat and wheezed. I brought him brandy and, when he requested, stimulants. His vision cleared, and he held me in his gaze, his glistening eyes.

“Verity…” he managed.

I held him, cradled his head upon my carriage.

“I have seen …” he said and then drifted away. 

Drawing upon a range of stupefacients he returned to us and told us of his various passages, his journey into the depths of what it means to be a human relation.

It was during a Civil War. Shamass had found himself a passenger, sometime actor upon an armoured train. His adherence to the revolutionary faithful became more tenuous with each day. He read the arguments that wracked the International, caught up in the revolution and its bloody conditions of being—accidental and planned.

“In the snow, during an unplanned furlough from battle, I found myself in a lonely corner of the Second State University. I stood on the  threshold of the All-Union Experimental Zoological Institute (Annex) with instructions from the Councils.

“The building was more porous shack than stolid structure closed off to the world. One could almost imagine that the snow drifts were        important supports, flying buttresses made of water and the ephemeral dreams of tomorrow.

“A single light stuttered above the door. This close we could hear the generators scream each time the light flickered, filling the air with ozone. I hammered on the loose door, it slammed open. The light and a strange humidity struck me as I stumbled beneath the stark light of the interior. A short corridor struck off ahead to a door. Beyond the sounds of machine and animal interpenetrated.

“What we found inside was inhuman—but human, definitely human. I cannot explain it any other way. ‘Nothing that is human is foreign to me’.

“You have perhaps not heard of Ilya Ilyanov, biologist. In those days we still fought out the revolution, defended it from its enemies without and within. What we did not suspect at the time was that the latter would prove more insidious and persistent.

“We had stopped the Allied attempt to destroy the revolution by routing the Whites. Meanwhile other forces buzzed over and amidst the dead and dying body of the armed proletariat. Ilyanov was one of them. Not much later he would clearly ally himself with Djughashvili; but at that moment he was building a monstrous simulacrum of the coming disaster of iron and wrought steel.”

“Ilyanov?” I asked.

“You know him as …”

Jacks!

“… my chief antagonist…

“We found him in the very centre of the building, bent over a creature shackled to an  operating table. Part man, part I did not know what—hairy and thin and bent in a peculiar fashion upon a metal surface. Framed in reddish brown hair it’s face looked like no person I’d ever seen, ape like and yet more than ape. No doubt it played the part of transition from ape to man.

“Like all caged animals its terrified eyes bespoke a desire to be free.” 

“The fabled Salango!” I gasped.

Shamass nodded. “The very one. A pathetic creature. More itself than any other beast of Earth could claim—and so, so lonely. Jacks, under the guise of Ilyanov, had produced what some would call the ‘perfect worker’—the total man of breeding and the mechanisation of fancy. In the open, under the most orthodox of guises, Jacks confabulated a future—turned the dream of freedom into a nightmare vision of proclaimed efficiency and despair.”

  “So what happened?” I asked

  “Happened…?” Shamass fixed me with his rheumy stare.

  “Nothing happened, so long as you can call the lab being broken up and Salango… disposed of… ‘nothing’.”

*

There is no need to repeat here what happened to Lord Jacks upon his capture that day in 1920. Like a diminishing few, I swear I ran into him once—Lord Jacks that is—on a tram on Crown Street in the 1950s. I was getting off and bumped into him as he mounted. He looked back at me from his window seat as the tram clattered on toward Oxford Street.

And what of Shamass? No doubt this interests you more, interests us all. In the morning he was gone from the bed I had made up for him amidst the study, little sign of his presence apart from a terse note. “Don’t.” it read—all of his farewells said that. I never saw him again. I last heard talk in an article in the Dreadnought, telegraphed whispers that he had joined up with the rebel sailors of Kronstadt. Did he fight Lev Davidovitch’s murder troops and die?

fig. 2. Stamp from the other world.

More than fifty years later, in Sydney of the late 1970s, and aged beyond repair, I received a note, a bit yellowed and tattered no doubt, but recognisable—legible even. The stamps were all wrong. On two of them was repeated the striking image of Great Pyramids floating in ranks that marched off to vanishing. The Pyramids were suffused with a preternatural light. Beneath their bulk, a single craft, little more than an indistinct smudge on the stamp, navigated the waterborne shadows of those impossible structures. These identical, stamped tableaus were marked “Arrival of the Strangers, 1949”. The third stamp was less familiar. The three heads of a generic woman, man, and the necessarily generic Old One overlaid above a single phrase: “The Alliance”. The Pyramids reminded me of my too brief travels across the wastelands of N’lleros. But what of the Old Ones and their gossamer “Alliance” with the humans? Had Shamass really managed to escape death and cross over, to live on in the Other World?

Maybe. Perhaps. I’d prefer not to speculate.

And inside the envelope, written on the letter?

fig. 3. In the Hall of Shamass, Museum of Peripolis, on N’lleros.
 

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